Daniela Mack’s 5 Tips For Finding That Family-Career Balance You Crave As An Artist

  • David Salazar

“The job of an opera singer has a stigma of being all-consuming, and people have a preconception that to be a successful artist, you must be married to your art,” Mack told OperaWire. “While this may be true for some, most of my colleagues and friends in the business (who adore what they do) desire as close to a ‘normal’ life as they can get, which could include marriage or long-term partnership, children, pets, a home, or any number of other things associated with a traditional (stationary) lifestyle.”


Rivales en la ópera, pareja en la vida real


La mezzosoprano argentina se meterá en la piel de Sesto, mientras que el tenor estadounidense encarnará al emperador El matrimonio formado por Daniela Mack y Alek Shrader interpreta dos de los roles de ‘La clemenza di Tito’


MOT’s ‘Barber of Seville’ sparkles and soars

  • David Kiley

“Daniela Mack’s vocals are lovely, but her acting is even better as she plays Rosina as not quite the virginal waif we might think her to be, what with having a guardian. She is randy and embraces a ‘partner in crime” persona with Almaviva, but for a short time when she thinks he might have betrayed her.”


Il Barbiere di Siviglia – Michigan Opera Theatre

  • Jennifer Goltz

“Daniela Mack was a fresh, feisty, flawless Rosina, with a voice that sounded utterly alive. Mack had perfect control of her flexible lyric mezzo-soprano from top to bottom, showcased from her first entrance in the deliciously surprising ornamentation of her stunning “Una voce poco fa.” Mack’s flair for comedy and turn-on-a-dime expression top off a constellation of elements that make her ideal for this role.”